"Well, I can't!
If you have to fix it with a computer,
quantized, pitch corrected, and overly inspected,
then you can't do it,
and I can't get behind that"!
If you have to fix it with a computer,
quantized, pitch corrected, and overly inspected,
then you can't do it,
and I can't get behind that"!
William Shatner/Henry Rollins
I Can't Get Behind That
I Can't Get Behind That
So, me and this friend of mine made a CD of me.
As alarming as that is, just hear me out.
Anyway,...we had just put the finishing touches on a remake of Ian Dury's "Hit Me With Your Rhythm Stick" and we were sittin' in the kitchen eatin' cold Alfredo that was left on the stove. It was your average Sunday afternoon recording session.
He has a studio in a basement closet and he was recording me for free because he is my friend.
I would find a song I wanted to do and he would find the Midi files...or we would play all the instruments ourselves. The Midi files were so much easier to deal with rather than having to figure out parts and play them.
He would only give me one shot at the vocals though. If there were back up vocals, he would do them himself and then we would eat dinner or somethin'.
The reason for this is because he is a firm believer in the fact that vocals SHOULD me done in one take. Everything after that is a fix when it gets mixed. He is a master at the cut and paste.
I am not a singer. I have no misconceptions about that. I do not want to be a singer. I am a musician,...however, if you're gonna make a CD of just you, then you should have vocals because,...except for Bobby Beausoleil, instrumental music can get kinda boring.
Plus, considering the fact that I was doin' songs by Ian Dury, Bruce Springsteen, Tom Waits and Frank Zappa, I knew that the material I chose didn't have great singers to begin with,...so I didn't feel too bad about butchering the original songs.
I knew that my talking voice is in the low "D" range and was able to do some justice to Bruce's, "57 Channels and Nothin' On".
Everything else was a crap shoot.
As we were eating the Alfredo, he makes the brash statement that he could make me sound good on a "serious" song. He told me that I could go in there, sing my ass off any way I wanted to, and he would make it right.
I guffawed at such a proclamation.
He bet me.
I went home that night and began to peruse some music that I had that I thought might be a good fit.
I was listening to Dennis Wilson's "Pacific Ocean Blue" on repeat mode,...for about three weeks.
It dawned on me that there was an instrumental version of a song that Denny wrote right before he died. There were no lyrics on his version because the instrumental stood on it's own.
On the very end of the CD, however, there was a version with Taylor Hawkins of the Foo Fighters singing the lyrics that Greg Jakobsen wrote when he re-released the CD in 2008.
I now had an instrumental track,...and a template for the vocals.
Interesting.
I shot both versions over to him via email. He told me to come on over.
I got set up with the headphones and he stuck me behind the wind-screened mic.
He played the Taylor Hawkins version in my ears while putting my vocal track onto the instrumental. He told me to sing away.
I gave it all I had. After I was done, his wife walked into the room holding her nose,...in a subtle attempt to tell me I stink.
I didn't even want to hear the playback. She told me I didn't want to hear the playback. She said nobody should ever hear the playback.
My friend just rolled his eyes and pulled up "Dr. Sclock's Box Of Doom" on his computer. He laid my vocal track in there with the instrumental track underneath.
He then sat at the keyboard in an attempt to garner the key that the song was in. It was A flat minor.
Bogus key, man.
I then watched him pull bits and pieces of my vocals into the right key. He had one hand on the piano with another on the computer mouse.
He brought the thing into key.
I was impressed,...but I didn't like my enunciation and asked if I could do it again. He relented and I did the vocal again,...concentrating more on enunciation rather than key. He then tried to do the same thing,....but it sounded like Kermit the Frog when I was done.
He mixed the original back into it and called it done.
He defied me to find anyone who said it was out of key. I told him I wasn't convinced so he dropped my vocal onto the Taylor Hawkins version and put me in the right channel and Hawkins in the left.
It was in key....although the enunciation does leave a lot to be desired.
He told me it would always be that way,.... because I don't know how to talk.
I couldn't agree more.
As with all CD's, one has to make music videos for each track. Considering that this was a Dennis Wilson/Greg Jakobsen production, I knew it had to deal with Sharon Tate.
Considering the song was called "Holy Man", I felt that the lyrics deal more with the God who scooped her up in those final moments rather than the dregs who brought her there.
At least,...that's the way I see it.
So, there you have it.
A music video of Sharon Tate with lyrics by Greg Jakobsen and music provided by Dennis Wilson,....with me and Taylor Hawkins singin' the vocals.
(see below)
Anyway,....































































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